Iñárritu’s VR Film ‘Carne y Arena’ Simulates a Harrowing Border Trek

www.nytimes.com

Alejandro G. Iñárritu’s virtual reality exhibition transports viewers to the US-Mexico border, placing them between migrants and border guards. “Carne y Arena is not a film, and it succeeds by acknowledging that virtual reality is a wholly different medium, posing different theoretical and narrative challenges. Editing, essentially, is gone. Framing is gone too."

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