Iñárritu’s VR Film ‘Carne y Arena’ Simulates a Harrowing Border Trek


Alejandro G. Iñárritu’s virtual reality exhibition transports viewers to the US-Mexico border, placing them between migrants and border guards. “Carne y Arena is not a film, and it succeeds by acknowledging that virtual reality is a wholly different medium, posing different theoretical and narrative challenges. Editing, essentially, is gone. Framing is gone too."

Linkedin Revue

Want to receive more content like this in your inbox?