Iñárritu’s VR Film ‘Carne y Arena’ Simulates a Harrowing Border Trek

www.nytimes.com

Alejandro G. Iñárritu’s virtual reality exhibition transports viewers to the US-Mexico border, placing them between migrants and border guards. “Carne y Arena is not a film, and it succeeds by acknowledging that virtual reality is a wholly different medium, posing different theoretical and narrative challenges. Editing, essentially, is gone. Framing is gone too."

Read more...
Linkedin Revue

Want to receive more content like this in your inbox?